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Using the two uploaded reference images (front and profile), recreate the same man with identical facial features, bone structure, skin tone, and hairstyle, preserving his exact likeness with absolutely no changes to face, head shape, or hair. Dress him in the Captain America uniform from The Avengers, but reinterpret the suit with deep, cinematic purple hues replacing the traditional blue, while retaining realistic fabric weave, subtle armor paneling, stitching, battle scuffs, the star emblem, and muted red-white accent details. He is holding Captain America's iconic circular shield, redesigned to match the suit with coordinated purple metallic hues, brushed metal texture, concentric rings, realistic reflections, light battle wear, and correct physical scale and weight. Frame the image as a mid shot, waist-up, set during the Battle of New York at street level, with crumbling buildings, debris, smoke plumes, sparks, damaged vehicles, and atmospheric haze filling the background while remaining slightly out of focus for depth. Render as an ultra-realistic cinematic live-action movie still, featuring natural skin texture, visible pores, realistic hair detail, shallow depth of field, dramatic but grounded Marvel-style lighting, high contrast, physically accurate shadows, and polished Hollywood realism, with no stylization, exaggeration, or cartoon effects.

Using the uploaded reference image, recreate the same person with identical facial features, head shape, proportions, skin tone, hairstyle, and expression range. Preserve their exact likeness with no reinterpretation or beautification. The person must be wearing the exact same clothing, colors, materials, fit, and accessories as shown in the uploaded reference image. Do not change, redesign, or substitute the outfit in any way — this is critical. Place this person inside a crowded glass elevator with transparent walls, allowing a clear view of the outside environment in daylight. Through the glass, a bright daytime city exterior is visible, softly defocused, reinforcing height and realism. The camera is at eye level, framed as a cinematic close-up from the shoulders up. The subject's face is in sharp focus, while a foreground figure is heavily out of focus, partially blocking part of the frame to create strong depth and a realistic, confined feeling. The subject has a serious, focused expression, eyes glancing slightly to the side as if confirming something important. Other passengers fill the background, softly blurred, creating tension. Lighting is natural and cinematic, motivated by daylight streaming through the glass elevator, with soft directional light shaping the face, realistic skin texture, and gentle shadow falloff. Shot as live-action cinema, as if captured on 35mm film, with shallow depth of field, organic contrast, subtle film grain, and natural color tones. Photorealistic movie still. No illustration, no animation look, no stylization, no CGI appearance.

The subject slowly turns their head from a slight left glance back to center, eyes locking forward with quiet intensity. Movement is minimal and controlled — no sudden motion. The foreground figure remains static and out of focus throughout. Background passengers shift subtly, reinforcing the confined, tense atmosphere of the elevator. Natural light from the glass walls shifts slightly as if the elevator is in motion — a soft, gradual brightening across the subject's face. Hold the shallow depth of field and film grain throughout. Camera is locked, no movement. Duration 4-6 seconds. Photorealistic. No morphing, no stylization, no transitions.